贝拉·塔尔：我曾是一个制作电影的人 (2013)
Tarr Béla, I Used to Be a Filmmaker
上映时间：2013-07-04(法国)
剧情简介
2013法国纪录片《贝拉·塔尔：我曾是一个制作电影的人》由Jean-Marc Lamoure导演，影片讲述的是：
An illuminating – and extremely rare – documentary profile of one of the greatest filmmakers of our time Béla Tarr Filmed during the production of his final masterpiece The Turin Horse this film features clips behindthescenes footage and interviews with longtime collaborators
From December 2008 until June 2010 Béla Tarr gathered his “cinema family” near Budapest for his last film The Turin Horse This shooting family which has been collaborating with Tarr for years or even decades includes Tarrs wifecodirectoreditor Agnes Hranitzky cinematographer Fred Kelemen himself a director of some renown scriptwriter Laszlo Krasznahorkai musician Mihaly Víg composer Akosh Szelevenyi and lead actors Janos Derzsi and Erika Bok
Tarr Béla I Used to Be a Filmmaker offers an indepth window into Tarr’s on set process While filmmaking is a feudal system and “there is no democracy in art” as Tarr declares this film reveals collaboration is essential to the making of Tarr’s cinematic art Granted allaccess French anthropologistfilmmaker Lamoure closely follows the construction of the main set captures intimate exchanges between the director and his actors during rehearsals and the orchestration of elaborate shots involving heavy equipment but as the documentary also reveals economic ingenuity
Lamoure takes occasional detours to Budapest where he elicits revealing interviews from Bok Vig and Derzsi and also includes clips from Tarrs bestknown previous productions the 712 hour Sátántangó 1994 and Werckmeister Harmonies 2000 plus 8mm footage shot during the making of the former
An illuminating – and extremely rare – documentary profile of one of the greatest filmmakers of our time Béla Tarr Filmed during the production of his final masterpiece The Turin Horse this film features clips behindthescenes footage and interviews with longtime collaborators
From December 2008 until June 2010 Béla Tarr gathered his “cinema family” near Budapest for his last film The Turin Horse This shooting family which has been collaborating with Tarr for years or even decades includes Tarrs wifecodirectoreditor Agnes Hranitzky cinematographer Fred Kelemen himself a director of some renown scriptwriter Laszlo Krasznahorkai musician Mihaly Víg composer Akosh Szelevenyi and lead actors Janos Derzsi and Erika Bok
Tarr Béla I Used to Be a Filmmaker offers an indepth window into Tarr’s on set process While filmmaking is a feudal system and “there is no democracy in art” as Tarr declares this film reveals collaboration is essential to the making of Tarr’s cinematic art Granted allaccess French anthropologistfilmmaker Lamoure closely follows the construction of the main set captures intimate exchanges between the director and his actors during rehearsals and the orchestration of elaborate shots involving heavy equipment but as the documentary also reveals economic ingenuity
Lamoure takes occasional detours to Budapest where he elicits revealing interviews from Bok Vig and Derzsi and also includes clips from Tarrs bestknown previous productions the 712 hour Sátántangó 1994 and Werckmeister Harmonies 2000 plus 8mm footage shot during the making of the former
