剧情简介
2015墨西哥电影《牛头怪》由尼古拉斯·佩雷达导演，影片讲述的是：
Acclaimed MexicanCanadian auteur Nicolás Pereda returns to the Festival with Minotaur a pendant to his 2009 feature Juntos Shot in the Mexico City apartment of Peredas signature actor Gabino Rodríguez Minotaur is an incandescent chamber piece that observes three thirtysomethings Rodríguez Luisa Pardo and Francisco Barreiro as they sleep dream read and receive visitors including the housekeeper who takes care of them in their communal space A lovely and lethargic spell is cast as an ambiguous Marienbadlike love triangle emerges among the trio conveyed through literature books function as telepathic transmitters and definers of relationships choreography and the acute physical presence of the three leads Extending Peredas recurring interests in class social structure and family relations in Mexican society in its wraithlike fantasy of a leisure class that is quite literally sustained in its narcoleptic existence by the ministrations of the domestic help Minotaur evokes the films of Tsai Mingliang in its distended naturalism ritualistic solitude and creation of a cloistered world suffused with longing
The surreal aura of Minotaur seeps beyond the confines of the trios apartment into a strange night without distance in Lois Patiños hallucinatory portrait of border smuggling in the Gerês Mountains between Portugal and Galicia Casting real townsfolk some of whom were smugglers in their youth Patiño places their stiffly Straubian presences within crossprocessed multilayered tableaux of rocks river and trees — an everindeterminate place that has imbibed and borne witness to innumerable desperate acts of survival Conjuring an instant in the memory of a landscape filled with ghosts Night without distance extracts spellbinding fantasy from the real
Acclaimed MexicanCanadian auteur Nicolás Pereda returns to the Festival with Minotaur a pendant to his 2009 feature Juntos Shot in the Mexico City apartment of Peredas signature actor Gabino Rodríguez Minotaur is an incandescent chamber piece that observes three thirtysomethings Rodríguez Luisa Pardo and Francisco Barreiro as they sleep dream read and receive visitors including the housekeeper who takes care of them in their communal space A lovely and lethargic spell is cast as an ambiguous Marienbadlike love triangle emerges among the trio conveyed through literature books function as telepathic transmitters and definers of relationships choreography and the acute physical presence of the three leads Extending Peredas recurring interests in class social structure and family relations in Mexican society in its wraithlike fantasy of a leisure class that is quite literally sustained in its narcoleptic existence by the ministrations of the domestic help Minotaur evokes the films of Tsai Mingliang in its distended naturalism ritualistic solitude and creation of a cloistered world suffused with longing
The surreal aura of Minotaur seeps beyond the confines of the trios apartment into a strange night without distance in Lois Patiños hallucinatory portrait of border smuggling in the Gerês Mountains between Portugal and Galicia Casting real townsfolk some of whom were smugglers in their youth Patiño places their stiffly Straubian presences within crossprocessed multilayered tableaux of rocks river and trees — an everindeterminate place that has imbibed and borne witness to innumerable desperate acts of survival Conjuring an instant in the memory of a landscape filled with ghosts Night without distance extracts spellbinding fantasy from the real
