剧情简介
1986美国纪录片《杀心无忌》由Juliet Bashore导演，Tigr主演，影片讲述的是：
From
Robin Bougie is the creator of Cinema Sewer magazine
Kamikaze Hearts of Gutter Punk Lesbians
by Robin Bougie
Makebelieve addiction despair twobit sleaze and twobit dreamsDuring the 揝haron Mitchell film festivalheld at the Coolidge Corner Theater in Boston on June 6th 2000 the legendary porn queen showed clips from her XXX films spanning her 3 decades long career and provided a running commentary for the audience Sharon held the crowd in rapt attention while she revealed the title from which each clip was taken the director and when she remembered anecdotes about the cast and what drug she was on at the time the footage was shot It was usually heroin or marijuana and in some cases both One such example was the ultrarare documentary KAMIKAZE HEARTS which also depicted Mitchell then addicted passionately defending drug use
揔amikaze Hearts wrote the LA Weekly of the nowforgotten film back in 1986 揹rags you to a certain place the world of lesbianjunkie porn stars and keeps you there for 80 minutes If you抮e excited by that place or even if you find that place disturbing you抣l like this film because it抯 so relentlessly inside the world of naked bodies makebelieve addiction despair twobit sleaze and twobit dreams
It抯 a documentary but director Julie Bashore抯 film is harder to peg than simply that This oneofakind 16mm porn industry time capsule shifts nearly unnoticed between the real and unreal as Mitchell and company become actors portraying themselves in reenactments of scenes leading up to and following the footage a documentary camera crew captured while behind the scenes of a cumcoated mid 80抯 porn film
And when I say 慴ehindthescenes I mean it Usually unseen crew members are brought out into the open as they capture the performers either fucking one another or waiting around to get the chance to do so Look there抯 a young Marian Wilde holding the boom She would later go on to be foley editor on dozens of Hollywood films such as THE PHANTOM MENACE and RAIN MAN Sitting on the sidelines watching drugaddled Sharon flop on the carpet and contort herself into a nearly nude ball and go 揘yha nyha nyhais still photographer Vincent Fronczek Listen very carefully in an early scene and hear small fry fuckactress Jennifer Blowdryer having a background conversation where she unwittingly admits that she started in porn when she was only 17 and falsified age documents in order to work
When the film premiered and won the 揃est Feature Filmat the Torino Intl Gay and lesbian film fest The Chicago Reader抯 Johnathan Rosenbaum called it 揂lternately distressing instructive contestable and fascinating and he抯 totally right Mitchell comes off as seasoned and cynical while also talks of being a shamefree exhibitionistic personality in front of the camera and otherwise Her lover and costar in KAMIKAZE HEARTS is Tigr pronounced 揟igger Mennett production assistant and porn actress who was featured in roughly forty 70抯 and 80抯 pudpullers of her own Her career ended right about the time this film came out in 1986 but look for her in balldrainers such as DR BIZARRO 8 TO 5 as Chelsea McCleane and MATINEE IDOL as Chealsea Manchester The unusual blend of reality and fiction she and Mitchel bring to KAMIKAZE HEARTS tastes like skid row while laying bare the stormy gutterpunk relationship between the two women
揥hen I first met her I thought she was sleazyTigr tells the audience of Mitchell whom everyone calls 慚itchfor short 揝he needed to make a living she was fucking on camera I thought she was just another dumb porno slut But I was wrong
Filmed on location in San Francisco the notorious original home of the XXX film industry the two scrounge around in a semensoaked seedy world colored by strip joint punchouts after party arguments kinky sex and egotistical sleazeball directors These two are thrillingly unapologetic about the fact that they use heroin as a shield while traversing through this gritty 24 hour party lifestyle and the camera is there to catch what it can and reenact what it can抰
揟he camera抯 presencewrote Rosenbaum 揾as a shifting role in the film moving from seemingly impartial witness of certain events to stimulus and catalyst for certain others and this tends to confuse and change one抯 relationship to both the film and its characters
Mitchell initially introduced Tigr to intravenous drugs years previous to the filming of KAMIKAZE HEARTS and in one of the final scenes in the film the two lie on a bed and hit up while on camera Mitchell brings the point home with the kind of wisdom only found in junkie babble 揟his is the truthshe says as she stares into the camera after pulling the needle out of her arm 揧ou got what you want You did not have to put it in You could give it to me I抣l put it in my movie There is no legitimate or illegitimate anything No one dragged you into anything This she holds up a needle was my dick and I fucked her with my dick And I waited for this relationship to mature This is a movie within a movie within a movie This is timeless
From
Robin Bougie is the creator of Cinema Sewer magazine
Kamikaze Hearts of Gutter Punk Lesbians
by Robin Bougie
Makebelieve addiction despair twobit sleaze and twobit dreamsDuring the 揝haron Mitchell film festivalheld at the Coolidge Corner Theater in Boston on June 6th 2000 the legendary porn queen showed clips from her XXX films spanning her 3 decades long career and provided a running commentary for the audience Sharon held the crowd in rapt attention while she revealed the title from which each clip was taken the director and when she remembered anecdotes about the cast and what drug she was on at the time the footage was shot It was usually heroin or marijuana and in some cases both One such example was the ultrarare documentary KAMIKAZE HEARTS which also depicted Mitchell then addicted passionately defending drug use
揔amikaze Hearts wrote the LA Weekly of the nowforgotten film back in 1986 揹rags you to a certain place the world of lesbianjunkie porn stars and keeps you there for 80 minutes If you抮e excited by that place or even if you find that place disturbing you抣l like this film because it抯 so relentlessly inside the world of naked bodies makebelieve addiction despair twobit sleaze and twobit dreams
It抯 a documentary but director Julie Bashore抯 film is harder to peg than simply that This oneofakind 16mm porn industry time capsule shifts nearly unnoticed between the real and unreal as Mitchell and company become actors portraying themselves in reenactments of scenes leading up to and following the footage a documentary camera crew captured while behind the scenes of a cumcoated mid 80抯 porn film
And when I say 慴ehindthescenes I mean it Usually unseen crew members are brought out into the open as they capture the performers either fucking one another or waiting around to get the chance to do so Look there抯 a young Marian Wilde holding the boom She would later go on to be foley editor on dozens of Hollywood films such as THE PHANTOM MENACE and RAIN MAN Sitting on the sidelines watching drugaddled Sharon flop on the carpet and contort herself into a nearly nude ball and go 揘yha nyha nyhais still photographer Vincent Fronczek Listen very carefully in an early scene and hear small fry fuckactress Jennifer Blowdryer having a background conversation where she unwittingly admits that she started in porn when she was only 17 and falsified age documents in order to work
When the film premiered and won the 揃est Feature Filmat the Torino Intl Gay and lesbian film fest The Chicago Reader抯 Johnathan Rosenbaum called it 揂lternately distressing instructive contestable and fascinating and he抯 totally right Mitchell comes off as seasoned and cynical while also talks of being a shamefree exhibitionistic personality in front of the camera and otherwise Her lover and costar in KAMIKAZE HEARTS is Tigr pronounced 揟igger Mennett production assistant and porn actress who was featured in roughly forty 70抯 and 80抯 pudpullers of her own Her career ended right about the time this film came out in 1986 but look for her in balldrainers such as DR BIZARRO 8 TO 5 as Chelsea McCleane and MATINEE IDOL as Chealsea Manchester The unusual blend of reality and fiction she and Mitchel bring to KAMIKAZE HEARTS tastes like skid row while laying bare the stormy gutterpunk relationship between the two women
揥hen I first met her I thought she was sleazyTigr tells the audience of Mitchell whom everyone calls 慚itchfor short 揝he needed to make a living she was fucking on camera I thought she was just another dumb porno slut But I was wrong
Filmed on location in San Francisco the notorious original home of the XXX film industry the two scrounge around in a semensoaked seedy world colored by strip joint punchouts after party arguments kinky sex and egotistical sleazeball directors These two are thrillingly unapologetic about the fact that they use heroin as a shield while traversing through this gritty 24 hour party lifestyle and the camera is there to catch what it can and reenact what it can抰
揟he camera抯 presencewrote Rosenbaum 揾as a shifting role in the film moving from seemingly impartial witness of certain events to stimulus and catalyst for certain others and this tends to confuse and change one抯 relationship to both the film and its characters
Mitchell initially introduced Tigr to intravenous drugs years previous to the filming of KAMIKAZE HEARTS and in one of the final scenes in the film the two lie on a bed and hit up while on camera Mitchell brings the point home with the kind of wisdom only found in junkie babble 揟his is the truthshe says as she stares into the camera after pulling the needle out of her arm 揧ou got what you want You did not have to put it in You could give it to me I抣l put it in my movie There is no legitimate or illegitimate anything No one dragged you into anything This she holds up a needle was my dick and I fucked her with my dick And I waited for this relationship to mature This is a movie within a movie within a movie This is timeless
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