剧情简介
1992美国动作惊悚片《卧龙战警》由比尔·杜克导演，劳伦斯·菲什伯恩主演，影片讲述的是：
Having witnessed his junkie father killed Russell Stevens grows up to become a policeman and make a difference When he is offered an undercover job by Gerald Carver he accepts and begins to build a relationship with David Jason in order to get to the main dealers However as he is forced to deal drugs and kill to keep his cover he finds the lines between cop and criminal being lost – is he a cop pretending to be a dealer or a dealer pretending to be a cop
Larry as he was then Fishburnes first lead role was a typically dark vehicle The story is the usual one of cop losing himself when undercover however it manages to be more than that for most of the time Cowritten by Tolkin who wrote The Player this naturally has a nice cynical edge to it when it looks at the USs hypocritical approach to drug control and the political links between the street hustlers and the political high rollers who court respectability The story does eventually settle into a traditional setting but even then it works well as a thriller
The multitalented Bill Duke directs well with a gritty feel and a few nice touches However several things are a bit iffy For most of the film Fishburnes narrationvoice over is a bit like a cross between Apocalypse Now and Blade Runner – it comes across as a little too dark and heavy and also explains things like we cant figure it out ourselves However once you get into the film its not as big a deal My main problem lies with the characters
Fishburne is excellent a real model of underlying anger and violence Goldblum is good but perhaps a little OTT on the yuppieviolence thing but theres good support from Smith and Spin Citys beautiful and often underused – but not here Victoria Dillard However the two main white characters Goldblum and Smith are both smeared with racist insinuations – Smith appears to insult his black officers and doesnt care about the junkies while Goldblum is fascinated about all things black and talks about them as wild beautiful beasts and loves having sex with black These things arent a major problem but with basically only two white characters in it its a little worrying that both are given that edge
However these are minor complaints that get lost with a good thriller Fishburne excels and Duke delivers a story that is a good thriller but also has a jaded subversive edge
Having witnessed his junkie father killed Russell Stevens grows up to become a policeman and make a difference When he is offered an undercover job by Gerald Carver he accepts and begins to build a relationship with David Jason in order to get to the main dealers However as he is forced to deal drugs and kill to keep his cover he finds the lines between cop and criminal being lost – is he a cop pretending to be a dealer or a dealer pretending to be a cop
Larry as he was then Fishburnes first lead role was a typically dark vehicle The story is the usual one of cop losing himself when undercover however it manages to be more than that for most of the time Cowritten by Tolkin who wrote The Player this naturally has a nice cynical edge to it when it looks at the USs hypocritical approach to drug control and the political links between the street hustlers and the political high rollers who court respectability The story does eventually settle into a traditional setting but even then it works well as a thriller
The multitalented Bill Duke directs well with a gritty feel and a few nice touches However several things are a bit iffy For most of the film Fishburnes narrationvoice over is a bit like a cross between Apocalypse Now and Blade Runner – it comes across as a little too dark and heavy and also explains things like we cant figure it out ourselves However once you get into the film its not as big a deal My main problem lies with the characters
Fishburne is excellent a real model of underlying anger and violence Goldblum is good but perhaps a little OTT on the yuppieviolence thing but theres good support from Smith and Spin Citys beautiful and often underused – but not here Victoria Dillard However the two main white characters Goldblum and Smith are both smeared with racist insinuations – Smith appears to insult his black officers and doesnt care about the junkies while Goldblum is fascinated about all things black and talks about them as wild beautiful beasts and loves having sex with black These things arent a major problem but with basically only two white characters in it its a little worrying that both are given that edge
However these are minor complaints that get lost with a good thriller Fishburne excels and Duke delivers a story that is a good thriller but also has a jaded subversive edge
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