剧情简介
2022波兰纪录片《无声的爱》由Marek Kozakiewicz导演，影片讲述的是：
The rules in rural Poland are clear Every man must have a woman every dancer must have a female dancer The pubescent Miłosz feels safe here especially after his mother’s death His sister Agnieszka who is in a longdistance relationship with her friend Majka does everything to obtain custody of her little brother Gradually a new family model is revealed documented by Marek Kozakiewicz as an attempt that is as restrained as it is determined
The windmills behind the houses rotate steadily standing in place signalling stability But the lives of Miłosz and his 35yearold sister are in turmoil They are facing a redtape marathon to make Agnieska his legal guardian Both have been orphans for a few months Director Marek Kozakiewicz depicts the establishment of a new family no one expects much applause for in conservative Poland Because for Agnieszka and her partner who is ten years older the determination to try living together manifests tentatively Without kisses without celebrations the decision almost casually becomes reality – the women are exploring the boundary between platonic tenderness and enforced secrecy And Miłosz too seems to realise only slowly what the relationship between Majka and Agnieszka really is
The rules in rural Poland are clear Every man must have a woman every dancer must have a female dancer The pubescent Miłosz feels safe here especially after his mother’s death His sister Agnieszka who is in a longdistance relationship with her friend Majka does everything to obtain custody of her little brother Gradually a new family model is revealed documented by Marek Kozakiewicz as an attempt that is as restrained as it is determined
The windmills behind the houses rotate steadily standing in place signalling stability But the lives of Miłosz and his 35yearold sister are in turmoil They are facing a redtape marathon to make Agnieska his legal guardian Both have been orphans for a few months Director Marek Kozakiewicz depicts the establishment of a new family no one expects much applause for in conservative Poland Because for Agnieszka and her partner who is ten years older the determination to try living together manifests tentatively Without kisses without celebrations the decision almost casually becomes reality – the women are exploring the boundary between platonic tenderness and enforced secrecy And Miłosz too seems to realise only slowly what the relationship between Majka and Agnieszka really is
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